
By Adam Eliyahu Berkowitz/Israel 365 News
September 14, 2026
That same ceremony gave its award for Best International Feature to “The Zone of Interest,” whose director, Jonathan Glazer, used his acceptance speech to draw a line from the Holocaust to the war in Gaza, saying his film shows “where dehumanization leads, at its worst.” Glazer went on to serve as an executive producer of “Naza.”
The pattern held at Venice as well. Palestinian flags were visible among the crowd during “Naza’s” 25-minute ovation, a year after Kaouther Ben Hania’s “The Voice of Hind Rajab,” centered on the killing of a six-year-old Palestinian girl and the medics who came to save her, took one of the festival’s top prizes. It is now two consecutive years in which a film built around allegations against Israel has dominated the world’s most prestigious film festival.
Three years after October 7, the pattern is consistent. An anonymous, contested allegation against Israel migrates easily into headlines, into casualty counts and onto the world’s most prominent stages. The documented, verified record of what was done to Israel that day struggles for the same reach, even when, as with “Fauda,” it arrives in the form of the most-watched drama on Netflix.